New animated film by Anne Frank brings her diary to life in modern Amsterdam
Amsterdam (JTA) – Confused teenage girl lies in Anne Frank’s bed as people flock to a family home. But these people are not Nazis. They are modern tourists. And the girl on the bed isn’t Anne, but Kitty, she’s a fictitious friend of the now world famous newspaper.
Magically resurrected from the page and brought to modern Europe, Kitty is amazed at how the company worships her best friend Anne, sells cheap goods, and misinterprets her words. I am. In the end, she sets out to regain Anne’s legacy on her own by whatever means.
This is a bold rethink of the story of Anne Frank in the new animated film “Where’s Anne Frank?” “. Premiere at the Cannes Film Festival last week.. The film was produced by acclaimed Israeli director Ari Folman, best known for the 2008 Oscar-nominated hybrid animated documentary. “Waltz on the battlefield” About the lasting memories of Israel’s first Lebanese war. Currently, Forman is working on what many consider the sacred text of the Holocaust – rewriting Anne Frank to interpret her true enduring legacy.
Produced in partnership with the Anne Frank Fund, a Swiss non-profit organization founded by Anne Otto’s father, who owns the copyright to Anne’s Diary, the film is aimed at young audiences. But as Kitty comes to understand the modern immigration crisis in Europe and consciously associates millions of continental asylum seekers with Anne’s story, she also enters a surprising political realm.
âThe main objective of this film is to help today’s young audiences connect to the Anne Frank story in a way that is linked to the diary,â said Fonzu, member of the film. . Senior producer Eve Kugelmann told the Jewish Telegraph Agency. agency. âFrankly, that’s how I watch movies. If this goal is achieved, it is a success.
A kitten with red hair and pink cheekbones is more than just an observer. She speaks loudly about the rampant marketing of her best friend as a brand.
âAnn didn’t write this diary so that you can worship it,â she told Dutch police in a climaxing landscape after the diary was staged. “Or, name the bridge, school, theater or station after her.”
Kitty also started dating a tourist pick-pocket at Anne Frank’s house and later became an immigration activist.
Like we did in Bashir, Forman mixes spectacular fantasy footage with factual stories. Kitty’s journey around Amsterdam in 2021 and the meticulous Anne Frank House are associated with Greek mythology and references to the Roman Empire that fascinated Anne. In flashbacks, the Nazis are portrayed as robot-like ghouls wearing death masks, patrolling the city of Amsterdam without hating or pitying the people they hunt and sacrifice. About how she struggled to visualize them.
Forman, who declined the preliminary interview with JTA, Told the Hollywood Reporter Her own mother, a Holocaust survivor from Lodz, Poland, was eager to take on the project.
âI didn’t really want to do that at all,â Forman said. âI had too many adaptations and thought she was too symbolic. But I read my journal for the first time since I was a teenager and went to see my mother. Both parents He was a survivor of the ‘Holocaust. She said, “Look, we didn’t interfere with your choice, but if you don’t take this project, I’ll die on the weekend, you’re Sunday. You can come and pick up my body, but if you do that, I’ll stay until the premiere. “
Another twist Forman learned while investigating the project was that his parents arrived in Auschwitz the same week as Anne Otto and Edith’s parents.
Kitty consistently condemns the endless modern reinterpretation of Anne’s story, which exists to refine her status as a symbol rather than a person, but the movie she appears in is another such effort, the Holocaust. And the modern refugee crisis.
This film is also different from the text in other respects. Anne’s Diary contains a lot of humor, but at least one character suffers in every scene, whether in modern Amsterdam or the Holocaust. “Where’s Anne Frank?” Also claims, without evidence, that Auguste van Pels, who was also in hiding with Frank, hid an expensive vase inside the house.
But then, Forman’s vision for the film was more than just telling the facts of the story.
âI was looking for a new dimension, a new way to tell a story,â he told The Hollywood Reporter. âAnd I tried to find a way to reach the youngest audience possible. And when you start a movie with a miracle, like this creation of Kitty, you make a fairy tale.
In addition to the film, Forman has also collaborated with the Anne Frank Fund The Journal of the adaptation of Anne’s graphic novel, Described by David Polonsky and published in 2017. The film and book will be part of a new educational kit shared by the Fund with hundreds of schools around the world offering Holocaust education programs and materials.
In accordance with the Nonprofit Charter and the wishes of Otto Frank, in accordance with the hope that none of the Fonzu projects are commercial, the benefits of the film are many educational programs and projects with the United Nations agency UNICEF . It is used to support the activities of Fonzu including. Child protection, Kugelmann said.
At Kitty, the project wants to find the last ambassador to the young generation directly from the 80 years page of the Journal d’Anne.
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